“In the Year of our 44th,
Numerology has considered what is 8.
2024 combines early of 3-1 and then goes in pairings before rolling everything into 1.”
Hot off the heels of surveying my life up to a certain point with Chasing Jabberwocks, Philip A. Bonneau introduces the end of a long run of creative writing with a 3 part book series in need of help, we have The Aenied’ED Trilogy.
The series explores mythology exclusively within the backdrop of the everyday person who wonders where they fit in. Perhaps not meant for current structure, but would they be around longer than a lifetime? A matter of 3 separate books where mythology is spun in a matter of interconnection and personal narrative where the often discounted and glossed over produces amazing results for personal narrative and interconnectiveness
The series grows with “YOU AENIED’ED….”
where the narrator/author surveys their life and surroundings looking for context of meaning, purpose and has come to terms on placement to a certain degree. An exploration that leads to Arthurian type legends and then still a nobody at the same time. On course for something.
YOU AENEID’ED…
The first in a new trilogy of focus on my life, where strange combination stories begin to unfold and then wrap themselves. Concurrently began while doing something else and then when that stopped roped back around to a completely different area.
Here, a familiar method of visiting mythology daily began and then a continued attempt to how that fits in not only to their surrounding context, but my own life. While that goes on, the exploration of the world around me and picking up on subtly and combine. An exploration where prior illustration patterns of early books grow into their own and then too learned from nature and the environment what is offered of the imagination.
A perspective change where indoors/outdoors presents a matter of which the senses perceive one way or another in continued Everyday life and how that applies and plays out unknowingly to some and then all the fascination of wonder of where origins and endings come from and here we find our middle grounds in them. A focus on mythology and what is invited in creativity.
The second installment of the series “I AENIED’ED a vacation” continues the mythological epic everyday where the author finds themselves in New York City and Massachusetts in exploration of museums, libraries and then whatever is found in streetwalk of value of the passer by. A collection where even on birthday suit, a connection is made and interaction begins of coming of age in and out of element of surprise. What does it mean to associate with anything a matter of question when wondering, what happens when someone or something attaches on and grows with in narrative of anyone.
I AENEID’ED…a vacation.
Part 1
Vacation begins in the Cornfields of Massachusetts.
Halloween and my birthday is upon us, but it is the time getting to finally spend with my brother and his family that matters.
Here I am with never so much time to travel, and attempt to do a day trip to New York City.
Adventure begins all around of what is presented to the everyday in which to consume, take in and consider. A difference not so much of visual overload, but a question of what catches your eye and why that would be?
It is here I find myself at CHRISTIE’S, and from there a matter of the beginnings of a little story on the matter of contemporary before working my way to the NYC Library. Or was it the other way around. Slipping through the cracks, things get picked up on and things missed or glossed over.
A matter of beginning of bookings I suppose, but could go anywhere I want within a grid system.
Part 2
Home a bit and here I am between Halloween and The Day of the Dead, my birthday.
Calming while noticing nature has changed the landscape ever so slightly to present a notion something has changed, while others more inclined to explore.
Here we go to Boston, where we first set food in the Boston Library that sets a stage. From there, Boston MF Museum where a pocket "Exploration of Sargent, Done with Grace” was had with illustration of yet another perspective to what noted of a calling card of a temporary exibit and catching the eye of an artist and fashion combined to find an illustrative approach to yet another pocket story wrapped around mythology and artistic greats.
Questions surround that involve time traveling back to the Old World and continued notions already explored in my life begin to combine and interconnect,
visually which was once only conceptual to consider through word and thought.
Part 3
Moving through the Old World, I rest in Egypt before continuing on. Another Hidden story found in which real world application of an entire different way of viewing and considering Egyptian art that carries into other cultures.
An artist’s imagination finds proof and carries out to prove interconnection and a wondering if they are already where they are supposed to be at the time. A matter far different than choice of interaction, but a focus here that begins to change and define a matter of relativity to childhood memory in the same place to wondering what was picked up and carried to the point of return as an Adult.
A matter of question of Point A, Point B, Point C where backing of the coneptual is done with physical proof and a matter of a lifetime of perspective in which can be continued and nurtured towards further growth and expansion of concept. Perhaps set adrift between many regions and may encounters,
but that seems to be the point of anything Odysincinal the world has to offer in question why that is perscribed and perceived of interpretation.
Part 4
Little Trees and Fairie Folk, where do we find what we are looking for?
A trip coming to an end, and a story that starts on a wooden brench begins before visiting 23 entities that have a story of their own of their past life to share.
How is that translated in connection to I, before going into questions of what they are saying and then how I translate that?
End of the road for time away only to return back to normalcy of what is everday work while wrapping up a narrative of vacation between Mass. Interest and Media found in New York City.
The series concludes in the final installment asking the qustion “What have we AENIED’ED?”
Narratively the narrator comes back home and continues business as usual, while duality has taken shape throughout the entire series in exploration. Where does the narrative go when one finds, “History does not repeat itself, but archetypes do.”?
What have “we” Aenied’ED?
Part 1
Natively, I am back home and vacation is over. I finish my journal and pick up knowing where I had left off before on vacation.
Half now, Half Later I said, and here we are combining plausibility to prove the original strange combination origin story while working on another. Between Ragnorok and Revelations, several truths are revealed and come to like in a matter of understanding not only 13 years of solid work,
but a lifetime of perspective, change and adaptability to get to an understanding of what is in the real world and what that means to the everyperson within while changing nothing, but blending in a manner that makes sense and fits.
Part 2
Answers come and go on what it means to be one thing or another.
What does that matter when it comes to Time and Tables?
Here I am reflecting on an entire journal separate from other narratives, but in rememberance of past aspects of autobiography Where do I go in the end from here in ponderance of surround and all the excitement that there is most certainly a new world that is out there,
and yet it is combined from the investment of time to where people have their own choices as much as I have my own. Maybe they were correct. Maybe not. They seemed right towards a conclusion and being faithful to the conceptual of what I have been introduced to while fully knowing I have
a life ahead of myself not alone, but aware that there is a process and a place to a matter of where to connect or disconnect from in instinct, nature, and learned aspects of life carried within us by our own actions and those that came of family trees prior.
A conclusion to the novel approach of my works in the form they grew since 2019 in approach. Noted a shift to what they have become, knowing anything further would once again be completely different from what came before but perhaps what matters is where others intertwine in our own curations. A conclusion to an Exfinity War towards change course by retaining the “E” long enough towards the end.
Join Philip A. Bonneau as together a tail spin occurs of understanding repeat injury usually means adaptations and change in position, narrative and life perspective. From here, Who knows were things will go as Philip A. Bonneau has concluded their rough around the wired-hair approach of 20,000 pages of original creative property in which is wrapped around the everyday narrative of one’s Autobiography and then how they interact and learn from others.
All books available currently at Blurb.com at https://www.blurb.com/user/somamix1
Except “No ‘Starving Artist’s”, available exclusively at Barnes & Noble under current form.
All books have been self-published and primed for pick-up, conversations and beginnings of new phases of life. As it stands, Philip A. Bonneau is done with creative writing for the rest of 2024 in book form.
Press Release: June 2, 2024, or what is commonly known as ‘88.
6+2/2+0+2+4