'a spinster story' excerpt.

I find as I released two major works of literature yesterday between “a spinster’s story” and “Underwater World 3-5: A Land of Far Away Governement Assistance” that it might be nice to share an excerpt from ‘a spinster’s story’ which narratively can be considered as “Capture The Flag” that flows into the narrative of “Underwater World”.

I imagine part of dream and passion is the chance of experience and to produce and do something. Considering my series of Heroes + Villains was built upon what I have of then seemingly so little to no money and yet now I am in a world of 340 dollars only in my bank account until payday with no retirement and tons of aspirations and dreams secured in Modern Copyrights.

I find a beautiful aspect that even if I never had a chance to ever do a concept to reality, in book form and in concept it was envisioned, imagined and then applicable for consideration. I find that in that aspect the shoot already occurred and then there is the imagination of what could or could not be of reality.

I imagine it is part affordance and then respect of The American Dream or The International Dream in the backdrop of those who wish to control them, taken them or mishandle one way or another that comes from experience and difference of perspectives outside ownership.

Whatever the case may be, I still have to survive and live and from there comes an excerpt of aspirational and dream protected with understanding of indirectly learned from in society and pay forwards nevertheless in times of non-mutualness.

‘a spinster story’ available in Part 1 and Part 2 on Blurb.com

https://www.blurb.com/b/11608707-a-spinster-s-story-part-1

https://www.blurb.com/b/11608720-a-spinster-s-story-part-2

Book US Copyright Protect as of May 2, 2023

Landscape of where to go in places.

I imagine the consideration of frustration apparent at times considering the years of infringment and attacks. Nevertheless, life moves on and understood notions.

I find in any of my works since starting Heroes + VIllains has always been precariously careful in human representation of living people.

It is out of respect and of awareness of what they have presented and indirectly learned from knowing that I am of no affordance of their private life nor wish to invade upon.

It is understood that is a great deal while I don’t even get into much real world people concepts.

It denotes issues in landscape in which could not be accounted for and still the aspect of consideration of what could be one thing or another.

Wished no harm on anyone and feel I don’t, but nevertheless I have to continue with my life, work and interactions direct and indirect.

Comes with living and comprehension to the point of moving along and continuing with life.

As I am not exactly dwelling on the past as much as one would think, I will be quite reflective on my own works as they are going to be around for quite some time.

Memories and moving forwards in learned behavior. It is as if the track list in my head denotes variable of my voice being of anyone’s as if pulled from somewhere or representing

another. A good Pandemomium statement of “Heard it Somewhere” and yet “Echoed and Repeated anyways”. A very awesome thing to consider of learned.